Laura Casabela is herself again after surgery

In her case, the doctor opted for a mastopexy with implants, a surgery that, unlike a simple breast augmentation, not only adds volume but also lifts the breast and removes excess skin, which involves more extensive scars. Laura has the well-known T-shaped scar (around the areola, a vertical line, and another in the inframammary fold) and round implants of 195 cm³ with a moderate profile, offering a smooth projection and a flatter profile to avoid the artificial breast effect she feared so much.

Additionally, she details that the placement of the implants was performed using the dual plane technique, positioning the upper part of the implant behind the pectoral muscle and the lower part above the muscle but under the gland, a strategy that combines support, naturalness, and good lower pole drop. This type of technical planning, common in reference centers like the Instituto de Benito, is key to achieving a balanced aesthetic result in mastopexies with implants.

One of the aspects that most surprises in Laura's testimony is the recovery, which she describes as "very fast" and much less painful than she expected, despite the fact that implant placement behind the muscle is usually associated with a more uncomfortable postoperative period. She didn't have drains, all the stitches are internal, and although she admits certain discomfort and the need to rely on help in the first few days, she insists that at no point did she feel intense pain or a sensation of "not being able to bear it."

"I didn't feel pain at any time" said Laura Casabela

Two weeks later, she claims to feel practically as if she hadn't undergone surgery, only with the logical caution regarding some movements. Another point she emphasizes is that she hasn't lost sensitivity in any area of the breast, a common concern among patients considering a mastopexy.

Five weeks after the surgery, Laura focuses part of her story on the state of the scars, especially the vertical one that goes from the nipple down and was the one that caused her the most fear before the surgery. She describes the work of Dr. Marina García, from the Instituto de Benito, as "a work of art," assuring that the scars are barely noticeable despite the short time since the intervention.

In her daily life, she states that when dressed, she doesn't feel that her essence or the way she sees herself has changed, which was an absolute priority for her. As the weeks go by, she perceives her breasts as increasingly soft and natural, to the point of feeling them as her own and without strange sensations, a progression that reinforces her satisfaction with the mastopexy performed at this reference medical group.

Although she acknowledges that "she didn't need" surgery from an aesthetic point of view in photos, Laura explains that she always chose clothes that maximized the chest she had before, partly limiting her wardrobe options. After the intervention at the medical group, she states that she now has many more options for dressing and that "anything looks good on her," which translates into greater creative freedom when constructing her looks and an improvement in her personal confidence.

The experience, as a whole, is summarized in her own assessment: she feels very happy with the result of her mastopexy and with the decision to trust Dr. Marina García and the medical group Instituto de Benito for a surgery that has managed to rejuvenate her chest without altering her visual identity or her way of presenting herself in front of the camera.